Showing posts with label clara callan. Show all posts
Showing posts with label clara callan. Show all posts

Thursday, June 30, 2011

Drowning Ruth


Drowning Ruth
By Christina Schwarz

Way back at book twenty-three (Clara Callan if you have forgotten) I wrote out a checklist of things that make for the definitive Canadian novel. There are eleven criteria that make the stereotypical Canadian novel and I have created a scientific scale to gauge exactly HOW Canadian a novel is. This scale is called the Tragically Hip Sacle of Canadiana and it is measured from 0 to 12 hips (a hip is a unit of measure on the THSoC. 1 hip is equal to 1 unit of Canadian-ness). The scale works thusly:

0 ~ 1 hips: Foreign language novel (not set in Quebec), translated into English
1 ~ 3 hips: Native language novel written by non-Commonwealth/American writer (e.g. Singaporean, South African)
3 ~ 4 hips: American writer (excluding border state writers)
4 ~ 5 hips: American writer (border state)
5 ~ 6 hips: Non Canadian, Commonwealth writer.
6 ~ 7 hips: French writers from Quebec writing in French.
7 ~ 8 hips: Writers from Alberta.
8 ~ 9 hips: English writers from Quebec writing in English.
9 ~ 10 hips: Canadian writers trying to be a little different (e.g. Douglas Coupland)
10 ~ 11 hips: Writer has a tattoo of the maple leaf under right nipple and/or right ankle
11 ~ 12 hips: Writer lives on an island, in a northern settlement (probably in an igloo), eats moose meat and Kraft Dinner with ketchup, listens to CBC radio and probably owns more than one Bombardier product, eh?

Realistically, if a novelist measures 9.0 hips on the Tragically Hip Scale of Canadiana then they should be awarded an honorary Giller Prize, Governor General's Award, a Juno, a Genie and a Gemini (if you don't understand 100% of those references, then you must measure lower than 4.3 hips, which means you are Non-Canadian Commonwealth or, worse, American).

Drowning Ruth, a period novel by Christina Scharz is up for scrutiny today. Let's see how it scores on the THSoC scale:

1. Novel set between 1900~1945.

The novel is begins in the early 1900s and ends in 1941, thus spanning almost the exact timeframe deemed to be perfectly Canadian. Score 1.5 hips.

2. Novel is set in/on a small town/island/northern settlement.

The novel is set in a small town in the north and an island figures extremely prominently in the narrative. Score 3 hips.

3. Novel involves a strong/complicated/deranged female protagonist on a journey of self-identification.

Main characters are almost all female. One strong, one deranged and one complicated. Score 1.5 hip.

4. Novel involves one or more conservative/despicable/sexually deviant men.

Of course. Score 1 hip.

5. Story involves one or more hard-boiled sidekicks.

The character of Imogene qualifies as a sidekick, although i would be pressed to admit that she is entirely hard-bolied. Score 0.7 hips.

6. Story involves an unwanted pregnancy/abortion/infant mortality.

Yes. Score 1 hip.

7. Story mentions the Dionne quintuplets/Edward's abdication/Vimy Ridge.

Not entirely, but World War One figures prominently so score 0.5 hips.

8. Story involves a major snowstorm.

More than one. Score 1 hip.

9. Story contains mild to overt anti-Americanism.

This is a complicated answer as you will see in my conclusions. While I can't say for certai that this book has anti-American undertones, it certainly isn'y pro-America. Score 0.4 hips.

10. Story explores multiculturalism.

OK. No. Score 0 hips.

11. Story contains mild to overt anti-Religion themes.

Yes. Score 1 hips.

Final score: 11.6 on a scale of 12. Drowning Ruth is definitively a Canadian novel. In fact, it could be held up as a textbook example of Canadian literature in any University anywhere north of the 49th. A perfect storm of Canadiana. This is entirely strange since Drowning Ruth was written by an American (Christina Schwarz) and is set in Wisconsin (which, last I checked, still lies within the national boundaries of the United States).

I know. I couldn't believe it either.

This is why I was unable to score the Anti-American criterion since it is virtually impossible for an American citizen to actively write an anti-American novel, no matter how much they question authority. There seem to be elements of anti-Americanism but it was not overt enough for me to score scientifically. Pity.

How does an American write the definitive Canadian novel? Perhaps growing up in Wisconsin (which is American in name only) helps. The Great Lakes are far more pourous than the land border. Ms. Schwarz therefore probably grew up with a healthy diet of Farley Mowat, Margaret Atwood and Robertson Davies. She has probably read enough Canadian novels to stop the Edmund Fitzgerald.

Oprah Winfrey, however, obviously does not read enough Canadian literature as Drowning Ruth was selected as part of the Oprah Book Club. If she was familiar whe THSoC she would have known that Drowning Ruth wasn't the mysteriously dark novel she thought it to be but rather a paint-by-numbers example of virtually every book published in Canada since 1945.

Chicago isn't far enough north, apparently.

Wednesday, April 13, 2011

Clara Callan


Clara Callan
By Richard B. Wright

Note: This post will include some possible spoilers, so if you plan to read Clara Callan, perhaps you may want to bookmark this page and return here upon completion of the novel.

The following is a transcript of an actual conversation I had with a Kiwi buddy. We often ask about the books we are currently reading and when he sawRichard B. Wright's Clara Callan sitting on my desk he asked:

Kiwi: "Is this any good?"

Canadian: "Yes, but you won't like it."

Kiwi: "Why not?"

Canadian: "It's Canlit."

Kiwi: "Canlit? You guys have a word for novels written by Canadian writers?"

Canadian: "Yeah. Don't New Zealanders have a term for novels written by New Zealand writers?"

Kiwi: "Yeah. We call them books."

Touche

It's no secret that Canadians are fiercely nationalist. We are not nationalist in the American-jingoist sense of the word but rather in a more self-concious way. Canadians make a sport of fretting over identity and Canadian-ness to the point of fault. It's a by product of sleeping in bed with an elephant. The tired myth of Canadian patches on backpacks round the world has warmed the hearts of millions in the Great White North as a way in which we identify ourselves as "not-American." This obssession with what it means to be Canadian (aka not American) spills over into literature. Canadian readers obssesively read Canadian novels as if it will somehow make them more Canadian. I've not encountered any other readers from any other English-speaking nation that go out of their way to read so many books by writers from their home countries. It's a small part of a larger phenomenon that I have noticed over the past eight years as a Canadian living abroad: Canadians are incorrigibly Canadian.

I prefer to remain pithy on that last statement for now. I, being Canadian, will most assuredly read another Canadian novel before too long. I believe my citizenship would be revoked it I didn't.When I do read another, I promise expound on this theory or incorrigibility further.

Anyway, back to Clara Callan.

If I (or any other Canadian) were to write the stereotypical Canadian novel it would read something similar to Clara Callan. This is not to say that it is a bad book. Far from it. I enjoyed the holy hell out of this book. It's a real page-turner and such and such but it had virtually every element that Canadian writers use in crafting their unique stories of life in the bleak wastelands of the provinces. Everything is stereotypical in this novel: the setting, the characters, the themes. Everything!

But don't take my word for it, Let's put Clara Callan to the test. Here is an informal list of elemets found in a good many Canadian novels. In brackets next to the elements in whether or not Clara Callan contains said elements. It's startling!:

1. Novel set between 1900~1945. (check!)
2. Novel is set in/on a small town/island/northern settlement. (check!)
3. Novel involves a strong/complicated/deranged female protagonist on a journey of self-identification. (check)
4. Novel involves one or more conservative/despicable/sexually deviant men. (check x2)
5. Story involves one or more hard-boiled sidekicks. (check x2)
6. Story involves an unwanted pregnancy/abortion/infant mortality. (check!)
7. Story mentions the Dionne quintuplets/Edward's abdication/Vimy Ridge. (check!)
8. Story involves a major snowstorm (check!)
10. Story contains mild to overt anti-Americanism (check!)
11. Story explores multiculturalism. (big miss on this one...)
12. Story contains mild to overt anti-Religion themes. (check!)

Twelve out of thirteen for Clara Callan! If there was any doubt, this book won the Governor General's Award AND the Giller Prize in 2001.

And how could it not?